Vital 5 Productions
DOGS OF MEDINA
December 15- 31, 2000

Group exhibition featuring paintings by L. Kelly Lyles, Jason Puccinelli, Curtis Taylor, Chris Thompson, Randy McCoy, Stina Coto, Sara Lehl, Jennifer McNeely, Ron Richardson, Jennifer Lundgren, Leiv Fagereng, Diana Cardiff, Meghan Trainor, Libby Knudson, Cassandria Blackmore, Rich Lehl, Jacques Ropert, Keven Furiya, J. Graham Ross and Steve Gentis.

Curated by Greg Lundgren

How do you get a bunch of wealthy people to attend an art opening for a group of young, talented and relatively unknown artists? Vital 5 answered that question with The Dogs of Medina. Have these talented but under the radar artists paint portraits of their dogs and send the owner an invitation. We had our secret spy-girl infiltrate the wealthy super-suburb Medina, with a short skirt and a long lense. She shot every dog in sight, in the yard, out in the street, in the park. She returned with shots of 32 dogs, complete with pet and owner names and addresses (thank goodness for dog tags). Quickly we developed the film and called the artists over to pick through the piles. Jason Puccinelli snagged the weiner dog, Randy McCoy grabbed the retrievers, Cassandria Blackmore walked off with pictures of the black lab. It was young progressive artists painting dogs, as an experiment, as a statement, and for plain old fun.

There stands a great divide between the local arts community and the patrons capable of fiscally supporting it. As an independent, progressive and risk taking arts organization, we had little difficulty drawing hundreds of artists and young arts enthusiasts. But we had no fiddle to draw the wealthy from their insulated neighborhood and polished institutions to our exciting incubator of young talent and questioning format. History reveals that portraiture had been an artists staple for hundreds of years (until that damned camera came along), so we thought we would give it another walk in the park, just to see what happened.

Twenty five of the pet owners made it opening night, with groomed and polite canines in tow. We landed the cover of the local newspaper, the Journal American. We had a mariachi band sing in the corner and served hundreds of shots of tequila. There was a minor fiasco involving the weiner dog daisy chain, and we didn't make a fortune, but it was one of the strangest and most interesting mixes of people I had ever seen. The Dogs of Medina may not have bridged the great divide between the wealthy and the progressive artist, but for a moment it made everyone smile, and wonder what the hell they were doing, and that is as much as we ever ask for.

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